FG-800: The FG-800 is based on a solid performing studio vocal mic.

Don’t just use this microphone on vocals. By pushing the intensity, it gets even darker, moodier, and a bit more saturated. I love adding some Custom Series 10 kHz when using this mic. It doesn’t have that modern sizzly top-end air, but it takes EQ in the top end like a champion. If you have a wimpy source, it gets fixed with this mic. It’s lush, warm, fat, present, and BIG sounding.

FG-47: This mic will take you back in time.

Virtual Mic Collection - VMC Classic Tubes 1.

It utilizes state-of-the-art amplifiers to produce the purest and most linear signal possible, giving the VMS plugin module the ability to transform your recordings with hyper-accurate reproductions of classic microphones and preamps. VMS-ONE: The VMS-ONE preamp ensures that your A/D converter sees the flattest signal possible from the ML-1 microphone. It was designed in tandem with the VMS-ONE preamp to provide an exceedingly flat output for the VMS microphone and preamp software modules to act upon.

With a shock-mounted Mylar capsule sputtered in gold and custom-made components, the ML-1 is NOT just any ordinary microphone.

ML-1: The ML-1 microphone is arguably the most important part of the Virtual Microphone System, because everything starts here. The Virtual Microphone System collapses the wall standing between audio engineers and expensive world-class audio tools, allowing them access to the virtual microphone locker of their dreams for under a thousand dollars. The “VMS” is a hybrid system that utilizes an extremely transparent condenser microphone, a sonically-neutral preamp, and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps.

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